Thoughts on scholarship and intellectual fashion at the Jewish Museum in Vienna
When Dr. Karl Albrecht-Weinberger invited me to come to the Jewish Museum Vienna (JMW) in 2002 to curate a series of biographical exhibitions on the Jewish provenance of the city’s musical heritage, the institution was riding a wave of international praise.
That exhibition, “Quasi una fantasia”, went on to New York, to great acclaim, and a New York Times review comparing the Jewish Museums in Vienna and Berlin observed that, while Berlin could brag an iconic building, it was Vienna that offered the historical content and contextualization. In fact, the range of expertise at the museum was astonishing.