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Jean-Pascal Vachon

Musicologist Jean-Pascal Vachon teaches at Webster University Vienna and gives lectures on the history of music at various venues around the city. In addition, he also contributes texts and works as a translator for the Swedish classical label, BIS.

Stories from Jean-Pascal Vachon

Six String Wizards
01/04/2010

The mini festival dedicated to gypsy jazz will welcome some of its best representatives at Vienna’s Porgy and Bess this April. Within the next few weeks, a wave of renowned jazz guitarists such as John Scofield, John Abercrombie and legendary Jim Hall will arrive to showcase their musical talent.

As one of the fathers of modern jazz, Hall stands out with a style of quiet, poetic guitar playing. Since the fifties, he has performed with several esteemed artists – including Bill Evans and Michael Petrucciani – and has produced advanced, introverted music. In fact, one of Hall’s best-known collaborations is with pianist Evans, another introvert poet with whom he recorded two classic albums in the sixties.

05 Steven Bernstein
Hot Sounds for Summer, Pt. II
01/07/2009

Just a few decades ago, jazz was almost exclusively enjoyed in small, dark and smoky clubs. Preferably at night. It seemed that jazz and sun didn’t go together.

Things have certainly changed, as summer jazz festivals explode in and outside of Vienna, and now offer the possibility to both swing and get a suntan! Imagine a typical Austrian village with a spectacular mountain backdrop and an idyllic lake – perhaps an outdoor paradise. Now picture the biggest names of the jazz avant-garde battalion. Sound like heaven?

05 Madeleine Peyroux
Hot sounds for Summer
01/06/2009

Well, summer is almost here, and our favorite clubs are about to go on summer break. Do jazz fans have to resort to their record collections for their regular doses of their favorite music? Of course not. Summer is also when the jazz festival season begins.

05RedOctopus
Where to Find Jazz Recordings
19/05/2009

A recent column was dedicated to the best places to hear live jazz in Vienna. This time it’s the best places to get our spiritual food: jazz recordings. Of course, I don’t pretend this list is exhaustive, much less impartial. Let’s say that you’ll simply find here some hints.

Pat Martino
17/04/2009
American writer F. Scott Fitzgerald said “There are no second acts in American life.” Too bad he couldn’t meet American jazz guitarist Pat Martino for he might have changed his mind: not only did Martino have a second act, he also got a second chance at life. How many musicians do you know that have had to learn to play their instruments all over again?
Wayne Shorter - Always for the First Time
01/03/2009

“People ask us, ‘When do you rehearse?’ We don’t. How can we rehearse what we don’t know?” Wayne Shorter

OK, let’s be honest: how often do we jazz-writers use such expressions as “the last giant,” “the legendary,” or “the best of his generation”? It may seem that we resort to hyperboles to compensate for a lack of imagination or because we suffer from a tendency to exaggerate in order to grab your attention…

Yet, when it comes to Wayne Shorter, what else can we say? He’s without a doubt one of the most influential postwar jazz tenor saxophonists, together with Sonny Rollins and John Coltrane and a prolific composer whose tunes have become the pillars of modern jazz repertoire, interpreted by thousands of musicians, from students to professionals.

Chico Freeman: Playing It All!
02/02/2009
The 1970s weren’t easy for American jazzmen. After the deflagration of free jazz in the 1960s, jazz somehow lost its appeal. Several American jazzmen found themselves with lesser opportunities to play, a much-reduced audience and no recording contract as some of the most important labels had closed. Some quit performing music, others accepted less musically-rewarding jobs – read, ‘more commercial’ – and some left for countries where jazz still enjoyed relative success. Old masters started to slowly fade away. Even the ever-transforming Miles Davis was virtually retired by 1975. For young emerging musicians, this just wasn’t the right time…   
Patricia Barber
The Barefoot Singer
02/11/2008

What makes a singer, a “jazz singer?” This question isn’t as easy to answer as it seems. If I say “jazz trumpeter,” you can imagine someone who improvises freely on his instrument and swings, even on slow tempo.

When it comes to singer, it becomes a bit more complicated… Must the singer improvise with random vocables à la Sarah Vaughan or Ella Fitzgerald? Then what do we do with Billie Holiday who never improvises? She was a jazz singer, no doubt! Must the singer succeed in putting a personal stamp on a song and make it his/her own? Then, Frank Sinatra can definitely be considered a jazz singer… How about Céline Dion then? She’s personal, she makes a song “her own”… But can Céline Dion be described as a jazz singer?!?

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