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Book Review: Rip it Up, and Start Again, by Simon Reynold

In February of the year 1979 A.D., the great and sublime English post-punk group Wire announced a concert at a London venue known as the Electric Ballroom. The band had thus far made a career out of redefining punk rock, and then redefining their own redefinitions. And so after releasing “154,” their third album in […]

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